Unique, One-of-a-Kind, Exclusive, what do these things mean to you?
Posted in The Journey on July 19th, 2011 by John BartonAnd what are they worth to you?
If you asked a craftsman or an artist to make you an absolutely unique piece for you that they would never reproduce at all in anything even close what would that be worth to you? To have the only one of it's kind made by that person or shop?
And what do you consider to be unique?
Recently I had a rather sad experience that should have been a good one.
A few years ago we built this case for a collector in Germany,
I called it the Palace Garden.

It has been the centerpiece of our creativity for a while. We worked on it for nearly a year with revisions and requests from the customer. It's fair to say that while we charged a good amount for the case that when the time spent is added in then we didn't really get rich off of it. We charged a fair price for the work and put more into it than we charged for. In addition I invented a few new ways to construct a leather case along the way.
So this year we were approached about building a similar case for another client. I told them the same thing I tell everyone which is that I will not duplicate a case exactly. With the exception of the basic patterns we use I will not duplicate the decorative design of a case. Sometimes when the case is so simple there isn't any way around it as when someone asks for their name inside a circle. But for a case of this level we will do a unique hand drawn pattern based on the same general theme. The German collector was into orchids so we did all orchids for the color flowers except for the lotus which was taken from a tattoo on his neck and the bottom which is the peony being the closest to a national flower that China has.
So when asked to do a similar themed case for a Chinese customer I chose to make it more Chinese with the inlay on the back and the flower choices and the layout of the pattern. I kept some construction elements the same so as to get the same overall feeling with two different cases.

And actually the whole "Garden" theme was started with this case I called "A Garden Day" back in 2007.
So my question to you dear readers is who owns the growth of art? I can certainly understand when a customer buys an expensive piece of art and does not want to see that art reproduced in any fashion. The German collector was upset that I produced another case that looked anything like his. But I have to ask why? The case is not an exact reproduction nor is there any decoration on it that was taken from the first one. It is a sister to the first one by the fact that both share my artistic DNA.
I ask who owns the GROWTH of art because that is how I see it when I take something I did before and I build on it to make another piece. I see it as an expansion of an idea rather than a simple copy. Who says that concepts in art have to end with one piece and that the artist is forever forbidden by the sale of that piece from further exploring that concept? Did Georgia O"Keefe paint one giant flower and stop or did she paint dozens?
So on looking at these cases what price would you have offered me never to make another one? I am curious as to what value you would place on buying a man's soul?
